Building the Ensemble – Grandmother’s Footsteps

One performer (the “grandmother”) stands facing a wall. Everyone else stands behind him/her at the other side of the room. The object of the game is for the rest of the group to creep behind the grandmother and tap her on the back. The grandmother will turn every few seconds and when she does, everyone must freeze. If she sees anyone move in the slightest, they have to go back to where they started. Whoever reaches the wall, becomes the next grandmother.

This game wakes up the body and mind and, though competitive, encourages performers to work in physical closeness to each other sharing the same space.

Grandmother’s footsteps is used widely to teach acting and physical theatre. The game has the added benefit that half of the class can sit and watch. What makes a good piece of drama and what is interesting about watching actors suddenly becomes apparent: enjoyment, commitment, the need to take risks, the need to play within the rules, suspension… this game has all the ingredients of a good theatrical performance.

When we freeze as Grandmother turns, we don’t stop: our emotion is in motion. Our brains are ticking away, making sure that every single element of our body is still, we are holding on to our energy, not letting it go… and we are oh-so-ready, because at any point, Grandma will turn round and then….. we have to be ready to move!

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s