As the cold weather makes me lazy, I am very happy to leave you once again with guest blogger María Ferrara. (If you missed her previous post on Action Theatre, do have a look.) In this post, she continues to talk about the magic of sharing your improvisation in real time with the audience.
What is Instant Composition?
In an instant composition piece, the performer is creating the material, composing it and showing it simultaneously. Thus, the performer is working from the void in real time to create something new in every performance.
The origins of instant composition date from the 1960’s, the dawning of the postmodern dance movement, which questioned traditional aesthetic values and the share of roles that makes the dancer a mere executor of the choreographer’s creation. This followed on the path opened up in the 50’s by conceptual art, installations or performances. These movements challenged many accepted views such as the boundary between art and everyday life, between different art forms and even between performer and spectator. The pieces tended to be open ended, engaging the audience to complete what they were witnessing with their own perception or understanding. In performing arts, this multidisciplinary approach erased the distinctions between dancer, musician, actor or singer and the word “performer” emerged to refer to the person that performs the action which is witnessed and shared by the audience.
The preparation for this type of performance includes training awareness of what takes place within and outside of oneself in order to keep an ongoing interaction with the here and now, developing creativity, imagination and intuition and, finally, finding fluidity in decision making, both in order to follow impulses and to inhibit them.
The final aim is not to let oneself get carried away, but rather to compose a moment in a space, giving a collective sense to the elements present. In this context, the word sense does not refer to objective meaning, but to subjective understanding: how the patterns, pictures, rhythms, planes, sequences, counterpoints, intensities, images etc. develop and interact sequentially.
Instant composition invites the spectator to accompany the performer into an experience in which neither of them knows what will happen.
Currently, digital media allows for audiovisual content to be saved and reproduced ad infinitum with great ease. It is precisely in this era in which the eternal seems to be within reach for everybody that the ephemeral, the immediate and the transient acquire a renewed value as the epitome of life itself. Instant composition invites the spectator to accompany the performer into an experience in which neither of them knows what will happen, to walk out of the known territory of habits, preconceptions and expectations. One’s own perceptions, in real time, become the final element that makes sense of what has been witnessed.
María Ferrara is helping to promote the 2ND INTERNATIONAL ACTION THEATRE AND PHYSICAL IMPROVISATION FESTIVAL in Berlin this May. For more information on the festival, you can contact her on kontakt[at]mariaferrara.net
To find out more about what Action Theatre is, check out her last post: Action Theatre: The Improvisation of Presence.
. An absolute gem. It offers her approach to improvisation in bite-size pieces: a sequence of exercises to do individually, in pairs or in ensemble.
Your Handy Companion to Devising and Physical Theatre 